{"title":"JHS Pedals","description":null,"products":[{"product_id":"jhs-colour-box-v2","title":"JHS COLOUR BOX V2","description":"PREAMP \/ EQ \/ OVERDRIVE \/ DISTORTION \/ FUZZ \/ DI BOX\u003cbr\u003e\u003cbr\u003eVERSION 2 EMERGES\u003cbr\u003eThe Colour Box V2 has all the same functionality of the V1 with many new and improved additions like expanded EQ controls, a Hi\/Lo switch for massive clean headroom, and the ability to pass phantom power to your condenser mics.\u003cbr\u003e\u003cbr\u003eThe most significant improvements are:\u003cbr\u003e\u003cbr\u003eAddition of an Output transformer\u003cbr\u003e\u003cbr\u003eSafely Passes 48V Phantom Power\u003cbr\u003e\u003cbr\u003eEQ Shift Knobs for precision EQ control\u003cbr\u003e\u003cbr\u003eHi\/Lo Switch for ultra clean headroom\u003cbr\u003e\u003cbr\u003e100% available clean signal even on acoustic guitar\u003cbr\u003e\u003cbr\u003eSilent switching, aka no \"switch-pop\"\u003cbr\u003e\u003cbr\u003eRuns on standard 9V DC Neg power\u003cbr\u003e\u003cbr\u003eFEATURES \u0026amp; CONTROLS\u003cbr\u003eThe Gain section in red has three controls: Master, Pre-Vol, and Step. The Master volume controls the overall volume of the unit. The Pre-Vol controls the amount of gain between the two internal gain stages. This acts as a \"drive\" or \"gain\" control, adding more grit, distortion, and even fuzz as you increase the gain.\u003cbr\u003e\u003cbr\u003eThe Step control increases the gain of each preamp stage in five stages. Rotating the Step knob from left-to-right will increase the gain by the following: 1st is +18 dB, 2nd is +23 dB, 3rd is +28 dB, 4th is +33 dB, 5th is +39 dB.\u003cbr\u003e\u003cbr\u003eThe Colour Box V2 has a new Hi \/ Lo switch to control the amount of clean headroom you have available. In the Lo mode, you will easily be able to get ultra clean sounds without breakup. Lo Mode is excellent for tone shaping when distortion is not needed. In the Hi mode, the Colour Box V2 will distort much more readily, giving you a broad spectrum of overdrive, distortion, and fuzz sounds.\u003cbr\u003e\u003cbr\u003eIn addition to the Hi \/ Lo gain switch, there is a -20dB pad switch on the right side of the Colour Box V2. This function only works when in XLR input mode and can help tame the volume for high output microphones.\u003cbr\u003e\u003cbr\u003eMOST POWERFUL EQ YET\u003cbr\u003eThe EQ section in blue has three new Shift controls correlating to its standard Treble, Middle and Bass controls. The classically labeled EQ knobs adjust the amount of frequencies that get boosted and cut, while the Shift knobs adjust the range of frequencies that the Treble, Middle, and Bass knobs control.\u003cbr\u003e\u003cbr\u003eEQ Functions\u003cbr\u003e\u003cbr\u003eTreble Knob - Cut\/Boost Control +\/-15dB flat at noon. CCW cuts, CW boosts.\u003cbr\u003e\u003cbr\u003eMiddle Knob - Cut\/Boost Control +\/- 10dB flat at noon. CCW cuts, CW boosts.\u003cbr\u003e\u003cbr\u003eBass Knob - Cut\/Boost Control +\/-15dB flat at noon. CCW cuts, CW boosts.\u003cbr\u003e\u003cbr\u003eFrequencies controlled by EQ Shift Knobs:\u003cbr\u003e\u003cbr\u003eTreble Shift - 2kHz to 30kHz – CCW lowers the center Freq, CW raises the center Freq.\u003cbr\u003e\u003cbr\u003eMiddle Shift - 150Hz to 2.4kHz – CCW lowers the center Freq, CW raises the center Freq.\u003cbr\u003e\u003cbr\u003eBass Shift - 20Hz to 440Hz – CCW lowers the center Freq, CW raises the center Freq.\u003cbr\u003e\u003cbr\u003eThe Hi-Pass section is enabled by the toggle switch below the Hi-Pass knob. Just flip it up to engage the Hi-Pass knob. The HPF is a 2nd order 6dB per octave highpass filter. The -3dB cutoff freq (the frequency at which the filter starts to act) can be adjusted from 160Hz to 650Hz.\u003cbr\u003e\u003cbr\u003eXLR AND OUTPUT\u003cbr\u003eThe Colour Box V2 has a combination XLR and 1\/4\" input jack to use either an instrument or microphone. Select your input with the input selector switch on the right side of the pedal labeled INST\/XLR.","brand":"JHS","offers":[{"title":"Default Title","offer_id":53028814225717,"sku":"650415212224","price":645.0,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0996\/5384\/5301\/files\/Color-Box-V2.jpg?v=1782480521"},{"product_id":"jhs-double-barrel-v4-overdrive","title":"JHS DOUBLE BARREL V4 OVERDRIVE","description":"The Double Barrel V4 is for the player who needs a versatile but transparent overdrive at medium and light gain levels. You won’t find face-melting distortion here, but you will find overdrive with the character and stacking abilities to cover almost any tonal need, packing a one-two punch that is unrivaled.\u003cbr\u003e\u003cbr\u003e\"EVERYTHING LOW-TO-MEDIUM GAIN\" PEDAL AND IT JUST GOT BETTER!\u003cbr\u003e\u003cbr\u003eThe right side is our brand new Moonshine V2, which is a highly unique and massively tweaked version of the most famous overdrive ever created, housed in a little green enclosure. The Moonshine V2 has the classic mid-heavy tones that you’d expect but with more gain, volume, and tones than you ever thought possible. The Moonshine V2 has the same core sound as the Version 1 but we have added a new “Clean” knob to blend in the perfect amount of clean signal with your overdrive signal. The order toggle lets you choose which circuit is first in the chain. When the toggle is flipped to the right side, the Moonshine is first. When the toggle is flipped to the left side, the Morning Glory is first.\u003cbr\u003e\u003cbr\u003eThe left side of the Double Barrel is our best-selling Morning Glory V4 overdrive. Transparent and open tones lurk inside this circuit, as well as the new hi-gain toggle with Red Remote capability. Just plug in the JHS Pedals Red Remote into the “Remote Gain” jack with a standard patch cable and you can switch the “Gain” toggle on the fly for even more tonal options. You now have five on-the-fly overdrive options to choose from in the Double Barrel V4!\u003cbr\u003e\u003cbr\u003eSTACKING FOR DAYS\u003cbr\u003eWhen these two circuits are stacked, something magic happens. Tones that are original and fresh come with ease, as well as added flexibility thanks to the “order switching” toggle.\u003cbr\u003e\u003cbr\u003e- Endless overdrive tones from low to medium gain\u003cbr\u003e\u003cbr\u003e- Updated versions of the Moonshine and Morning Glory\u003cbr\u003e\u003cbr\u003e- Red Remote capability with the Morning Glory V4\u003cbr\u003e\u003cbr\u003e- Order toggle to select the order of effects when stacking\u003cbr\u003e\u003cbr\u003eWe are convinced that this is one of the greatest 2-in-1 pedals ever made... seriously. If you're having problems getting the tones you want, just grab the Double Barrel V4 and you’ll find out how easy it is to hit the target!","brand":"JHS","offers":[{"title":"Default Title","offer_id":53028815208757,"sku":"650415211814","price":432.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0996\/5384\/5301\/files\/Double-Barrel-V4_b80428af-9593-48e3-8e50-2d46f56f4e8c.jpg?v=1782480524"},{"product_id":"jhs-morning-glory-v4-overdrive","title":"JHS MORNING GLORY V4 - OVERDRIVE","description":"OVERDRIVE\u003cbr\u003eThe Morning Glory is undoubtedly our most well-known overdrive pedal, winning more awards and receiving more accolades than any of our other designs. We worked hard to make it one of the most transparent overdrives out there. When you want to add some mid- to low-level grit to your crystal-clean tone, use the Morning Glory. When you want to boost a crunchy tone into thicker sustain, use the Morning Glory. When you need to add tube-like touch response to a less-than-ideal amp, use the Morning Glory. When you need to switch between two gain levels on the fly...Yeah, you get the idea.\u003cbr\u003e\u003cbr\u003eTRULY TRANSPARENT TONE\u003cbr\u003eThe best way to explain the Morning Glory is that it delivers all the tonal and responsive nuance that your amp is missing, and nothing that your tone already has. It’s difficult describing a pedal that can be set to have little effect on your tone, so just plug into our Morning Glory overdrive for yourself, and then you’ll understand.\u003cbr\u003e\u003cbr\u003e- Gain control sweeps from completely clean to rock‘n’roll\u003cbr\u003e\u003cbr\u003e- Tame high end on brighter rigs with the side-mounted bright-cut switch\u003cbr\u003e\u003cbr\u003e- Increased headroom and output for use as a full-frequency boost\u003cbr\u003e\u003cbr\u003eON-THE-FLY VERSATILITY\u003cbr\u003eAn update for the Morning Glory V4 is moving the original's front-mounted bright-cut switch to the side of the pedal and replacing it with a powerful boost circuit. And by pairing your Morning Glory V4 with the JHS Red Remote (sold separately), you’re able to access the boost mid-song. It’s like having two Morning Glorys in one pedalboard-friendly package.\u003cbr\u003e\u003cbr\u003e- Switch to a more powerful sound with enhanced low end and grit\u003cbr\u003e\u003cbr\u003e- Plug in your JHS Red Remote to switch between the two voices with a tap of your toe\u003cbr\u003e\u003cbr\u003e- Handy LED changes from blue to red, indicating the status of the boost circuit","brand":"JHS","offers":[{"title":"Default Title","offer_id":53028815634741,"sku":"650415210756","price":285.0,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0996\/5384\/5301\/files\/Screenshot-42_8d6f6a65-5dd3-4204-89e2-f083c638694a.jpg?v=1782480508"},{"product_id":"jhs-angry-charlie-v3-overdrive","title":"JHS ANGRY CHARLIE V3 - OVERDRIVE","description":"OVERDRIVE\u003cbr\u003eThe Angry Charlie has become a staple of the JHS line over the years, and it’s a force to be reckoned with in the high-gain pedal territory. Its ability to convincingly and accurately breathe JCM800 tones into any rig has made it a popular choice for guitarists of all genres. And unlike many other British amp-in-a-box pedals, the Angry Charlie V3 sports a 3-band tone stack, just like the Marshalls, helping nail those warm yet searing tones and boundless sustain. If you are a glutton for high-gain overdrive\/distortion that has a British flavor, the Angry Charlie V3 will change your life. Well, your gear life.\u003cbr\u003e\u003cbr\u003eFURIOUS-SOUNDING AMP IN A BOX\u003cbr\u003eTurn the Drive control down, and you might be surprised how bluesy and vintage-like this pedal sounds. But through its different versions, our Angry Charlie distortion has always been one of the more aggressive British amp-in-a-box pedals out there. Either way, you’ll be injecting your amp with the grit and attitude of the UK amplifier heads that gave rock ‘n’ roll its teeth.\u003cbr\u003e\u003cbr\u003e- Turns any amp into a screaming Marshall stack\u003cbr\u003e\u003cbr\u003e- Go from bluesy Hendrix-like breakup to high-gain Brit tones with a twist of the Drive knob\u003cbr\u003e\u003cbr\u003e- Drive and Volume control interact the same as a master volume amp head\u003cbr\u003e\u003cbr\u003e- Back off your guitar’s volume to control your gain levels without losing clarity\u003cbr\u003e\u003cbr\u003eMARSHALL-STYLE TONE STACK\u003cbr\u003eAfter a couple of extremely well-received versions of the Angry Charlie, we realized that to really nail the ultimate Marshall-style tone, we had to add Marshall-style control, so we gave you a finely tuned Marshall-style 3-band EQ. Enjoy!\u003cbr\u003e\u003cbr\u003e- Fine-tune your tone with controls for Bass, Middle, and Treble\u003cbr\u003e\u003cbr\u003e- Active controls boost and cut their selected frequencies","brand":"JHS","offers":[{"title":"Default Title","offer_id":53028815667509,"sku":"650415210909","price":285.0,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0996\/5384\/5301\/files\/Screenshot-43_88eba80e-8943-44cc-ab7b-a47ee67d9639.jpg?v=1782480508"},{"product_id":"jhs-pulp-n-peel-v4","title":"JHS PULP N PEEL V4","description":"COMPRESSOR \/ PREAMP \/ DI BOX\u003cbr\u003eThe Pulp ‘N’ Peel V4 is the truly transparent compressor pedal you’ve been dreaming of. Its smooth-sounding parallel compression circuit offers you the power to blend in your ideal balance of compressed and uncompressed signal. You’re able to add a touch of grit to your tone thanks to the pedal’s Dirt mini toggle. Also, whether you’re a bassist sending your signal direct or a guitarist running the Pulp ‘N’ Peel on your pedalboard, the pedal’s ¼”, balanced XLR outputs have you covered. This compressor\/preamp pedal sports a ton of tone-shaping power, so no matter what your compression needs are, the Pulp ‘N’ Peel V4 is your go-to solution.\u003cbr\u003e\u003cbr\u003eTHE EXACT COMPRESSION YOU’VE BEEN WAITING FOR\u003cbr\u003eWe know how much effort you put into getting your tone exactly right. That’s why we worked so hard to ensure the Pulp ‘N’ Peel V4 maintains your instrument’s natural attack, has a very low noise floor, and adds a professional polish to every chord, lead line, and note from your amplifier.\u003cbr\u003e\u003cbr\u003e- Improved detection circuit for smoother tones with added sustain\u003cbr\u003e\u003cbr\u003e- Active EQ control that cuts or boosts high end\u003cbr\u003e\u003cbr\u003e- Parallel Blend control balances your compressed and uncompressed signals","brand":"JHS","offers":[{"title":"Default Title","offer_id":53028815733045,"sku":"650415212309","price":329.0,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0996\/5384\/5301\/files\/Screenshot-44_c26ce940-ba7c-497c-be5a-98d2d95bcb7d.jpg?v=1782480526"},{"product_id":"jhs-muffuletta-distortion-fuzz","title":"JHS MUFFULETTA (Army Green) - DISTORTION \/ FUZZ","description":"The Big Muff fuzz has been around so long, been on so many classic recordings, and been through so many variations that every guitarist out there has a favorite version of its iconic tone. JHS wanted to pay tribute to that undeniably classic fuzz pedal, but we couldn’t come to a consensus about which Muff was king. With the Muffuletta, our indecision is your gain. We crammed five all-analog re-creations of the pedal’s most beloved tones into this box. We even threw in a JHS-exclusive tone that is our take on the historic stomp. No matter what Big Muff era you prefer, you can get ‘em all in the JHS Muffuletta fuzz pedal.\u003cbr\u003e\u003cbr\u003eThe Muffuletta Modes\u003cbr\u003eJHS Mode - \"2015\"\u003cbr\u003e\u003cbr\u003eThe JHS Muff is a JHS original take on the classic circuit. You will find this version more powerful and less compressed, with a more haunting midrange. It is also the best for bass guitar.\u003cbr\u003e\u003cbr\u003e1973 RAMS HEAD - “1973-1977 V2”\u003cbr\u003e\u003cbr\u003eThe ‘73 Rams Head gets its name for the strange little face that appears on the lower right corner of the original pedal. It is best known for having a scooped midrange, less gain, and being darker.\u003cbr\u003e\u003cbr\u003eFamous users: David Gilmour (main Pink Floyd recordings), Ernie Isley (Isley Brothers), and J. Mascis (Dinosaur Jr.)\u003cbr\u003e\u003cbr\u003eTHE TRIANGLE - “1969-1970 V1”\u003cbr\u003eThe Triangle Muff is so named for the triangle arrangement of the knobs. It boasts more low-end response while being more articulate.\u003cbr\u003e\u003cbr\u003eFamous users: Santana, David Gilmour's Pete Cornish-made pedalboards, John Lennon, Kevin Shields (My Bloody Valentine), and possibly Jimi Hendrix.\u003cbr\u003e\u003cbr\u003eTHE PI - “1977-1978 V3”\u003cbr\u003e\u003cbr\u003eAn instantly recognizable red Pi symbol gives this pedal its moniker. This is not to be confused with the later redesigned NYC version released in 2000. It features a more aggressive sound.\u003cbr\u003e\u003cbr\u003eFamous users: Frank Zappa, Billy Corgan (Smashing Pumpkins), Jack White, The Edge (U2), Beck, and Pete Townshend (The Who).\u003cbr\u003e\u003cbr\u003eTHE RUSSIAN - \"1999-2009 V8”\u003cbr\u003e\u003cbr\u003eThe Russian Muff is named by the “Made in Russia” text found on the back of the pedals. It sports less clarity and less low end than other models. A great garage-type sound.\u003cbr\u003e\u003cbr\u003eFamous users: Dan Auerbach (Black Keys), Chris Wolstenholme (Muse), and Robin Finck (Nine Inch Nails).\u003cbr\u003e\u003cbr\u003eTHE CIVIL WAR - “1991-1993 V7”\u003cbr\u003e\u003cbr\u003eThe old-style Civil War-era font and navy and gray colors found on these pedals’ enclosures dictate their name. They are best known for having more midrange and having a brighter overall tone with less gain.\u003cbr\u003e\u003cbr\u003eFamous users: Thurston Moore (Sonic Youth), John Fogerty, Jeff Tweedy (Wilco), Mike Mills, and Peter Buck (REM).","brand":"JHS","offers":[{"title":"Default Title","offer_id":53028815765813,"sku":"650415212415","price":359.0,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0996\/5384\/5301\/files\/Screenshot-45_bab0ee44-9231-4cab-a77b-99bd81d758b3.jpg?v=1782480528"},{"product_id":"jhs-bonsai-overdrive","title":"JHS BONSAI - OVERDRIVE","description":"In the late 1970's the overdrive pedal was arguably perfected when Japanese engineers designed the sound that we now know as the heart and soul of so many of our favorite artists, recordings and sounds. Players ranging from The Edge, Trey Anastasio, Buddy Guy, Kirk Hammett, John Mayer, SRV, Carlos Santana and thousands more from every possible genre have utilized and depended on this classic iconic green box. If a single effect pedal was chosen to board a Voyager 3 mission and be solely responsible for showing the universe the sound of overdrive, it would undoubtably be Tube Screamer. It is probably the most produced and sold pedal in the history of guitar pedals! The Bonsai is our tribute to one of the greatest pedals ever created.\u003cbr\u003e\u003cbr\u003eThe Bonsai Modes\u003cbr\u003eOD-1 - 1977\u003cbr\u003e\u003cbr\u003eAn overall brighter and slightly higher gain mode that does not utilize the Tone knob. This mode also inverts signal just like the original and has asymmetrical clipping. The OD-1 is magical at boosting other drives or amps into singing saturation.\u003cbr\u003e\u003cbr\u003eTS-808 - 1979\u003cbr\u003e\u003cbr\u003eThe classic low gain with that signature pronounced mid range.\u003cbr\u003e\u003cbr\u003eTS-9 - 1982\u003cbr\u003e\u003cbr\u003eNearly identical to the TS-808 but with a slightly more pushed low-mid range.\u003cbr\u003e\u003cbr\u003eMSL, POWER OR L SERIES - 1985\u003cbr\u003e\u003cbr\u003eThough metal is in the name, this sound doesn’t quite inspire the modern metal djent we think of. Still it has a higher gain sound with a more low end and an overall more gooey feel.\u003cbr\u003e\u003cbr\u003eTS-10 - 1986\u003cbr\u003e\u003cbr\u003eMade famous by John Mayer, this model is a slight upgrade from the TS9 for the late ’80s. Bluesy, crisp, more low end roll off and low gain.\u003cbr\u003e\u003cbr\u003eEXAR OD-1 1989\u003cbr\u003e\u003cbr\u003eThe EXAR is a Polish made TS-style pedal that has a slightly different drive character with a little more gain than the classic screamers as well as a slightly more transparent feel.\u003cbr\u003e\u003cbr\u003eTS-7 (+MODE) - 1999\u003cbr\u003e\u003cbr\u003eThe hot mode on this version gives you the highest gain sound in the Bonsai. More low end and dirt fill out the tone to have you shredding away.\u003cbr\u003e\u003cbr\u003eKEELEY MOD PLUS - 2002\u003cbr\u003e\u003cbr\u003eRobert Keeley’s classic mod tightens up the tone on the original giving you smoother mid range and high frequencies, and increased bass response.\u003cbr\u003e\u003cbr\u003eJHS STRONG MOD - 2008\u003cbr\u003e\u003cbr\u003eOur own mod we’ve been doing since 2008 is much cleaner and overall more powerful. The mode has more pronounced higher and low end drop offs.\u003cbr\u003e\u003cbr\u003eWith the JHS Pedals’ Bonsai you can get the classic sounds of nine Tubescreamers in one pedal. Let the Bonsai help you find your overdrive zen.","brand":"JHS","offers":[{"title":"Default Title","offer_id":53028815995189,"sku":"650415211890","price":359.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0996\/5384\/5301\/files\/Screenshot-46_07e398aa-2a21-4895-8288-6407997c86a1.jpg?v=1782480528"},{"product_id":"jhs-emperor-v2-chorus-vibrato","title":"JHS EMPEROR V2 - CHORUS \/ VIBRATO","description":"In 2014 we brought you the Emperor V1, a 100% Analog Chorus\/Vibrato with Tap Tempo. Now in 2018 we are proud to bring you the Emperor V2!\u003cbr\u003e\u003cbr\u003eThere are two ways to look at the JHS Pedals Emperor Analog Chorus\/Vibrato pedal. The Emperor V2 is a vintage-correct effect that absolutely nails the hard-to-find sound of the Arion SCH-1...but its also a do-it-all modulation solution whether you want a subtle sheen, convincing rotary simulation, or seasick vibrato. It utilizes a Bucket Brigade 3207 chipset to deliver the warmth of ‘80s-style analog chorus pedals and we've added enough onboard and outboard control to put you in command of every aspect of the Emperor’s voice. Whether spreading its warm tones or icy sheen to a pristine-sounding stereo rig... or utilizing an external expression pedal to cop realistic rotary speaker sounds on a blues gig, the Emperor can do it all.","brand":"JHS","offers":[{"title":"Default Title","offer_id":53028816027957,"sku":"650415211869","price":315.0,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0996\/5384\/5301\/files\/Screenshot-47_043b4659-3c14-473b-8e55-421fbd618dbd.jpg?v=1782480513"},{"product_id":"jhs-at","title":"JHS AT+","description":"ANDY TIMMONS SIGNATURE OVERDRIVE\u003cbr\u003e\u003cbr\u003eIn 2016 we brought you Andy Timmons’ artist signature pedal, the AT or @, and we're really proud to bring you the next iteration of this phenomenal stomp box: The AT+.\u003cbr\u003e\u003cbr\u003eThe JHS Pedals AT is Andy Timmons’ signature overdrive pedal that gives Andy his unmistakable lead and rhythm tone. Upon purchasing a JHS Angry Charlie in 2013, Andy began using it as his primary tone and soon after got in touch with Josh Scott about modifying it for his needs. By collaborating to tailor the pedal to Andy’s tastes, the “@“ was born and released in 2016. This pedal gives you all the soaring overdrive and distortion that you hear from Andy with plenty of options to craft your tone with your rig. So pay ATtention and we’ll see what makes the AT rock.\u003cbr\u003e\u003cbr\u003eTWO CHANNELS ARE BETTER THAN ONE!\u003cbr\u003eNew to the AT+ is an independent foot-switchable Boost, essentially creating a second channel and gain stage for the pedal. The boost side of the AT+ is a slightly dirty and overdriven pre-boost that allows you to hit the front end of the AT drive channel and achieve more saturation and definition for applications where you need more. Since the Boost is independent, it can be used alone to drive your amp or other drive pedals in conjunction with the AT+ drive channel.","brand":"JHS","offers":[{"title":"Default Title","offer_id":53028816093493,"sku":"650415211999","price":315.0,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0996\/5384\/5301\/files\/Screenshot-48_6194c896-9b00-43bb-b370-e2e470189f39.jpg?v=1782480530"},{"product_id":"jhs-unicorn-v2","title":"JHS UNICORN V2","description":"UNI-VIBE* \/ VIBRATO\u003cbr\u003eIn 2015 we brought you the Unicorn V1, the world's first bulb-driven photocell modulator with tap tempo, the JHS Uni-Vibe. As of Spring 2018, we are proud to bring you the Unicorn V2!\u003cbr\u003e\u003cbr\u003ePink Floyd’s “Breathe,” Jimi Hendrix’s live Woodstock performance of “The Star-Spangled Banner,” and Robin Trower’s “Bridge of Sighs” cemented the sound of a photocell-based vibe effect as an electric guitar standard. The JHS Pedals Unicorn is our version of this heralded effect, continuing the inspiring modulation\/phasing\/rotary sounds that never fail to push musical boundaries. And just like the originals, we included a toggle for choosing between a Uni-Vibe* effect and a traditional vibrato setting. What sets Unicorn apart from all other vibe-style circuits is that it is the first-ever fully analog, photocell-based vibe with tap tempo as well as ratio, external tap control, and external rate control via expression pedal (optional). And the Unicorn does it all with only four knobs and a mini-toggle switch. In a day and age when everything has been seen and done, we bring you the first-ever, 100% analog vibe photocell modulator with onboard tap tempo. You’re welcome.","brand":"JHS","offers":[{"title":"Default Title","offer_id":53028816126261,"sku":"650415211876","price":315.0,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0996\/5384\/5301\/files\/Screenshot-49_6c3cf2d9-8cd9-4e0a-b58b-3d89c02228ac.jpg?v=1782480532"},{"product_id":"jhs-packrat-packrat","title":"JHS PACKRAT [BLACK]","description":"n 1978, the most versatile and influential distortion pedal of all time was invented in Kalamazoo, MI: the Proco RAT. Scott Burnham and Steve Kiraly first had the idea after playing, repairing and modifying all the available distortion pedals on the market. They wanted something that didn’t exist in the mainstream product lines like MXR, DOD and BOSS. They wanted a pedal that could go from overdrive to distortion and then all the way to fuzz. By 1979 Scott had perfected the circuit in his RAT-infested basement workshop, and the rest is history.\u003cbr\u003e\u003cbr\u003eThe PackRat is the ultimate tribute to the 40+ years of rodent evolution and its impact on the guitar’s sound. Artists from every genre have used the iconic tones in this unassuming black box to create their sounds, including Nirvana, John Scofield, Pink Floyd, Metallica, REM, the Eagles, Jeff Beck and Radiohead.\u003cbr\u003e\u003cbr\u003eBuilding on our Multi-Mode pedal series that includes the Muffuletta and Bonsai, the PackRat uses the same unique digital runway system to direct the paths of 261 components through 40 individual switches. This means that when you choose one of the nine legendary or rare modes, you are playing fully analog circuits that perfectly replicate that mode, even down to the aging components (also known as component drift). If you purchased these nine hard-to-find pedals on the used market right now, you would pay around $4,000. When you put it that way, $249 sounds pretty reasonable.\u003cbr\u003e\u003cbr\u003eLet’s take a look at the controls.\u003cbr\u003e\u003cbr\u003eThe operation of the PackRat is about as simple as it gets. The “Volume” control adjusts the overall volume of the pedal. The “Distortion” control lets you raise and lower the amount of gain or distortion that the circuit produces, and the “Filter” control allows you to brighten and darken the sound of the overall effect. This is effectively a simple, low-pass filter. Lastly, we have “Mode” control. This is a stepped pot that clicks into place as you scroll through the nine legendary versions of this circuit. As you change the mode, the analog circuitry is rewired, resulting in brand new values of resistors, capacitors, diodes and op amps.\u003cbr\u003e\u003cbr\u003eThe PackRat Modes\u003cbr\u003e1. The OG V1 (1979-83)\u003cbr\u003e\u003cbr\u003eThe OG mode is a perfect recreation of the first production RATs ever made. This era of roughly four years covers what is referred to historically as the V1 models.\u003cbr\u003e\u003cbr\u003eEarly V1s are also known as the Fringe Logo model and can be identified by the letters R-A-T being in all capital letters with a slight fringe graphic coming from the typeface. The V1 also has small silver capped knobs and a Tone knob instead of the more familiar and later produced V2 Filter control labeling. From a circuitry standpoint, the V1 and V2 Big Box models are practically identical except that the V1's Tone control increases treble as you turn clockwise while the V2's Filter control decreases treble in that direction.\u003cbr\u003e\u003cbr\u003eWhen switching to the OG mode, you are activating the exact circuitry of my 1979 V1 Fringe Logo model, including the accurate Tone control rotation and taper.\u003cbr\u003e\u003cbr\u003eLet me take a moment here to clarify: the V1 and V2 models are the exact same circuit, and simple adjustments to the Tone\/Filter control can achieve identical sounds from each unit.\u003cbr\u003e\u003cbr\u003eI know that the super nerds are going to ask why we didn’t include a Bud Box mode. Basically, I’d consider the Bud Box RAT to be a V1, because it is almost identical other than having an input buffer as well as a couple of extra parts.\u003cbr\u003e\u003cbr\u003e2. White Face V3 (1984-1986)\u003cbr\u003e\u003cbr\u003eIn 1984, the RAT transitioned into a smaller square enclosure with a new white rectangle logo. The word RAT was in all black caps inside the white rectangle; this model gained the “White Face” RAT nickname due to this aesthetic. In 1986, this same model had a logo change that simply inverted the white and black colors, resulting in the more familiar white rectangle outline and font on the black enclosure.\u003cbr\u003e\u003cbr\u003eThis “White Face” model has gained a reputation as one of the holy grail RATs, and it even spawned a reissue in the nineties. The irony is that it is the same exact circuit as the previous Big Box V2 and the following “Black Face” 1986, as well as the 1989 RAT2. The “White Face” V3 update was a purely cosmetic change due to screen printing errors that needed to be solved. ProCo knew that the world wanted smaller pedals in the wake of brands like BOSS, DOD and Ibanez gaining more and more market share, and they wisely cashed in on the trend.\u003cbr\u003e\u003cbr\u003eWith this said, why would I put this particular version in my PackRat if it is not any different than the OG? For one, nostalgia is a powerful thing, and secondly, this mode will switch to the reverse orientation V2-V3 Filter control with an entirely different feel and experience. In many ways it widens what many consider the sweet spot for the most beloved RAT tones.\u003cbr\u003e\u003cbr\u003eLike you, I want to believe in magic models of my favorite pedals, but sometimes the magic is just because we like the look or the user experience of one version over the other. It’s okay to admit that and move on.\u003cbr\u003e\u003cbr\u003e3. Turbo V5 (1989)\u003cbr\u003e\u003cbr\u003eThe heart of the RAT’s tone comes from a design technique called symmetrical hard clipping. In this approach, a simple amplifier circuit amplifies the guitar’s signal and pushes it across a pair of clipping diodes. The result is that these diodes clip off the top of the waveform of the guitar and create a type of square wave distortion. Every RAT until 1989 utilized a typical silicon diode, just like the DOD 250 and BOSS DS-1, but the new Turbo RAT used LEDs (Light Emitting Diodes). Yup, these are the same LEDs you see in flashlights, your car’s dashboard, DVD players and almost every other electronic device on earth. This technique was a first in pedals (the same clipping style was used in the Marshall Guv'nor) and offered a completely new RAT experience.\u003cbr\u003e\u003cbr\u003eThe silicon diodes in previous versions have a lower forward voltage, resulting in a faster and more extreme clipping of the waveform. You could say this type of diode creates a very saturated tone. The Turbo’s LEDs have a much higher forward voltage, so they don’t activate or clip the signal as fast or as hard. It takes more signal to reach the point where they will “cut off” the waveform, which causes the phenomenon we know as touch sensitivity. You can set the Distortion lower, and as you play lightly, you will have an overdrive tone; dig into your guitar and play hard, and hear more clipping\/distortion.\u003cbr\u003e\u003cbr\u003eIt is also worth noting that this model was the first RAT that offered the sloped enclosure that we see today. It also featured the new on\/off status LED that had made its debut one year earlier in the 1988 RAT2.\u003cbr\u003e\u003cbr\u003e4. BRAT V6 (1997)\u003cbr\u003e\u003cbr\u003eIn 1997 ProCo got into the budget pedal game by releasing the BRAT and the Guitar Center exclusive, Roadkill. These two identical circuits with different and very nineties grunge aesthetics have the most changes so far in the evolution of this legendary circuit.\u003cbr\u003e\u003cbr\u003eThis design added an input buffer circuit and soft clipping (inside the loop of the op amp) on top of the standard hard clipping of the previous RATs. We also see a return to the opposite taper\/rotation Filter control and several capacitor value changes that alter the frequency response and characteristics of the distortion.\u003cbr\u003e\u003cbr\u003e5. Dirty V7 (2004)\u003cbr\u003e\u003cbr\u003eIn 2002, ProCo released a 2-in-1 RAT pedal called the Deucetone. This pedal allowed you to have two completely separate RATs and activate them independently or stack them together. It also introduced two brand new sounds into the RAT topology: “Clean RAT” mode and “Dirty RAT.” Due to the popularity of the “Dirty RAT” mode, they released a single pedal called You Dirty RAT that featured that single setting in a standard sloped RAT enclosure. This circuit utilizes germanium diodes in the symmetrical hard clipping section of the circuit. This technique gives the most saturation and waveform clip-off of any version ever made.\u003cbr\u003e\u003cbr\u003eIn addition to the diode changes, this model has several different capacitor value changes resulting in a different distortion character and feel.\u003cbr\u003e\u003cbr\u003e6. LA (1986)\u003cbr\u003e\u003cbr\u003eIn 1986, Ibanez released the 10 Series line of pedals that included three RAT style pedals. The Super Product and Fat Cat held the position of accurate and traditional RAT style pedals, while the quirkier LA Metal was, in my opinion, one of the best-modified RAT circuits of the eighties.\u003cbr\u003e\u003cbr\u003eIt includes a great input buffer, several key capacitor changes for frequency response, and no clipping diodes at all. The distortion is produced by overloading or “clipping the rails” of the op amp.\u003cbr\u003e\u003cbr\u003eI don’t play LA Metal, and I’m guessing you don’t either, but I promise you will love this mode!\u003cbr\u003e\u003cbr\u003e7. Landgraff MO’D (1999)\u003cbr\u003e\u003cbr\u003eBetween 1999-2000, a man named John Landgraff started building pedals by hand in Pensacola, FL. Each one painted with a unique swirl paint job and wired point to point; John’s pedals were and still are the true definition of boutique and gained a reputation for sounding amazing. His most popular pedal was the Landgraff Dynamic Overdrive, a take on the Ibanez Tube Screamer, but my favorite was his distortion pedal that he called the “MO’D,” a distant cousin of the RAT and a really fantastic pedal in its own right.\u003cbr\u003e\u003cbr\u003e8. Caroline (2010)\u003cbr\u003e\u003cbr\u003eA few years after starting JHS, I purchased a fascinating distortion pedal from a brand new company out of South Carolina. I remember jumping on the phone and geeking out with the designer and head of the company Philippe Herndon. We talked about the circuit, his love for RATs and his clever take on the circuit. That pedal was called the Wave Cannon and when I started the PackRat project, it was obvious that Philippe was the friend I should bring along for the ride.\u003cbr\u003e\u003cbr\u003e9. JHS Mode\u003cbr\u003e\u003cbr\u003eIn 2003 I managed a tiny guitar shop in Northwest Alabama. One day a man walked in with a vintage Small Box RAT and said he wanted to sell it. When the shop’s owner said he wasn’t interested, I said I was. I bought that RAT for $15, and this is most likely the single event that led me down the pedal collecting rabbit hole. That pedal stayed on my board for a decade, and when I started modifying and building pedals in 2007, I opened it up, learned the circuit and modded it to reflect a different kind of sound. Parts of that modification became the now discontinued JHS All American and the long-running JHS PackRat modification that we performed on thousands of RAT pedals from 2008-2018. The JHS Mode lets me keep what makes the RAT unique and add in a few of my personal favorite mods.","brand":"JHS","offers":[{"title":"Default Title","offer_id":53028816257333,"sku":"650415212408","price":359.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0996\/5384\/5301\/files\/Screenshot-50_27a72085-5944-4b9e-a789-4468d808442c.jpg?v=1782480532"},{"product_id":"jhs-3-series-delay","title":"JHS 3 SERIES - DELAY","description":"The JHS Pedals 3 Series is a collection of pedals designed to give you affordability and simplicity without compromising quality. Each 3 Series pedal is made by us in Kansas City, MO, using high-quality parts, quality control, and attention to every detail. Each pedal has three simple controls and one toggle that offer a wide range of sounds, perfect for beginners and professionals alike. The JHS Pedals 3 Series will inspire your playing and help you explore new sounds at a totally approachable price point.\u003cbr\u003e\u003cbr\u003eThe JHS Pedals 3 Series Delay lets you choose between rich and warm or clear and pristine echoes. The straightforward design is simple and easy to use while offering a huge range of options. The Delay gives you 80ms to 800ms of delay time, for everything from slapback to long ambient washes of pad-like echo. The Type toggle allows you to select between a clearer digital-voiced delay and darker analog-voiced delay. The Delay will give you classic bucket brigade runaway when you max out the Repeats knob when in the analog-voiced delay mode. The JHS Pedals 3 Series Delay runs on 9V DC Negative Center power and consumes 71mA.\u003cbr\u003e\u003cbr\u003eLENGTH 4.42” X WIDTH 2.38” X HEIGHT 1.22","brand":"JHS","offers":[{"title":"Default Title","offer_id":53028818878773,"sku":"650415212378","price":145.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0996\/5384\/5301\/files\/Screenshot-51_b096e568-58ba-470c-86fd-5f9dfa79ad91.jpg?v=1782480530"},{"product_id":"jhs-3-series-compressor","title":"JHS 3 SERIES - COMPRESSOR","description":"The JHS Pedals 3 Series is a collection of pedals designed to give you affordability and simplicity without compromising quality. Each 3 Series pedal is made by us in Kansas City, MO, using high-quality parts, quality control, and attention to every detail. Each pedal has three simple controls and one toggle that offer a wide range of sounds, perfect for beginners and professionals alike. The JHS Pedals 3 Series will inspire your playing and help you explore new sounds at a totally approachable price point.\u003cbr\u003e\u003cbr\u003eThe JHS Pedals 3 Series Compressor is a simple and powerful compressor that will give you everything from subtle tone smoothing to a super squashed sound. The Attack and Sustain knobs allow you to dial in the compression's overall feel and response to your playing, while the Volume knob enables you to set the overall volume at unity or boosted. The Bright toggle engages a brighter EQ so that your tone doesn't get lost in certain situations. The JHS Pedals 3 Series Compressor runs on 9V DC Negative Center power and consumes 8mA.\u003cbr\u003e\u003cbr\u003eLENGTH 4.42” X WIDTH 2.38” X HEIGHT 1.22","brand":"JHS","offers":[{"title":"Default Title","offer_id":53028818911541,"sku":"650415212323","price":145.0,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0996\/5384\/5301\/files\/Screenshot-52_9ec2dab9-2799-452b-9ee7-854368e42c82.jpg?v=1782480545"},{"product_id":"jhs-3-series-harmonic-trem","title":"JHS 3 SERIES - HARMONIC TREM","description":"The JHS Pedals 3 Series is a collection of pedals designed to give you affordability and simplicity without compromising quality. Each 3 Series pedal is made by us in Kansas City, MO, using high-quality parts, quality control, and attention to every detail. Each pedal has three simple controls and one toggle that offer a wide range of sounds, perfect for beginners and professionals alike. The JHS 3 Series will inspire your playing and help you explore new sounds at a totally approachable price point.\u003cbr\u003e\u003cbr\u003eIn 1960, Leo Fender introduced a circuit in his Bandmaster and Vibrasonic amps called the “Harmonic Tremolo” (which proved to be a misnomer, since it was a volume effect, not a pitch effect). Essentially, the amp’s signal was split into high frequency and low frequency components, with the output switching back and forth between the two, resulting in a dreamy effect similar to the Uni-Vibe. The 3 Series Harmonic Trem allows you to utilize Leo Fender’s revolutionary effect in a package much easier to tote than a vintage amplifier. Toggle up is a great sounding amp trem, while toggle down is our take on harmonic trem effect.\u003cbr\u003e\u003cbr\u003eTHE JHS PEDALS 3 SERIES HARMONIC TREM RUNS ON 9V DC NEGATIVE CENTER POWER AND CONSUMES 65 MA. LENGTH 4.42” X WIDTH 2.38” X HEIGHT 1.22","brand":"JHS","offers":[{"title":"Default Title","offer_id":53028821532981,"sku":"650415212545","price":145.0,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0996\/5384\/5301\/files\/Screenshot-53_faee4db1-810b-4422-81dc-603f5af85380.jpg?v=1782394556"},{"product_id":"jhs-3-series-reverb","title":"JHS 3 SERIES - REVERB","description":"The JHS Pedals 3 Series is a collection of pedals designed to give you affordability and simplicity without compromising quality. Each 3 Series pedal is made by us in Kansas City, MO, using high-quality parts, quality control, and attention to every detail. Each pedal has three simple controls and one toggle that offer a wide range of sounds, perfect for beginners and professionals alike. The JHS Pedals 3 Series will inspire your playing and help you explore new sounds at a totally approachable price point.\u003cbr\u003e\u003cbr\u003eThe JHS Pedals 3 Series Reverb is an extremely versatile unit that allows you to create the perfect amount of space for your guitar. You can achieve any reverberation effect, all the way from small room sounds to nearly endless washes of ambiance. The EQ lets you perfectly adjust for a bright or dark texture to the reverb's overall tone. The Pre-Delay toggle allows you to select a short delay before the reverb begins. This lets you explore effects ranging between slap-like singing in the shower sounds and spacey sounds. The JHS Pedals 3 Series Reverb runs on 9V DC Negative Center power and consumes 74mA.\u003cbr\u003e\u003cbr\u003eLENGTH 4.42” X WIDTH 2.38” X HEIGHT 1.22","brand":"JHS","offers":[{"title":"Default Title","offer_id":53028822974773,"sku":"650415212361","price":145.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0996\/5384\/5301\/files\/Screenshot-54_f044ee0a-7a8e-420e-9303-eb85d77b998c.jpg?v=1782394559"},{"product_id":"jhs-3-series-hall-reverb","title":"JHS 3 SERIES - HALL REVERB","description":"The JHS Pedals 3 Series is a collection of pedals designed to give you affordability and simplicity without compromising quality. Each 3 Series pedal is made by us in Kansas City, MO, using high-quality parts, quality control, and attention to every detail. Each pedal has three simple controls and one toggle that offer a wide range of sounds, perfect for beginners and professionals alike. The JHS Pedals 3 Series will inspire your playing and help you explore new sounds at a totally approachable price point.\u003cbr\u003e\u003cbr\u003eThe 3-Series Hall Reverb is inspired by the sounds of large reverberated spaces, cathedrals and halls where the decay of natural reverb seemingly goes on forever. This pedal is perfect for players who are searching for massive, infinite and even otherworldly reverb. The JHS Pedals 3 Series Hall Reverb runs on 9V DC Negative Center power and consumes 70mA.\u003cbr\u003e\u003cbr\u003eLENGTH 4.42” X WIDTH 2.38” X HEIGHT 1.22","brand":"JHS","offers":[{"title":"Default Title","offer_id":53028823728437,"sku":"650415212422","price":145.0,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0996\/5384\/5301\/files\/Screenshot-55_296f065b-630a-4963-9b02-0b9fd8526b0c.jpg?v=1782394559"},{"product_id":"jhs-sweet-tea-v3-overdrive-distortion","title":"JHS SWEET TEA V3 - OVERDRIVE\/DISTORTION","description":"\u003cp class=\"\"\u003eThe Sweet Tea V3 is our \"Everything Medium-to-High gain 2-in-1” and it covers all the bases from light breakup, blues, rock, heavy grind, and more.\u003c\/p\u003e\n\u003cp class=\"\"\u003eThe Sweet Tea V3 is for anyone who wants a versatile overdrive\/distortion that covers all the bases you need plus more. You’ll find medium-to-high gain tones and the ability to stack for the perfect face-melting sounds.\u003c\/p\u003e\n\u003ch4\u003e\u003cstrong\u003eMOONSHINE ON THE RIGHT\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp class=\"\"\u003eThe right side is our brand new Moonshine V2 which is a highly unique and massively tweaked version of the most famous overdrive ever created, housed in a little green enclosure. The Moonshine V2 has the classic mid-heavy tones that you’d expect but with more gain, volume, and tones available than you ever thought possible. The Moonshine V2 has the same core sound as the Moonshine Version 1 but we have added a new “Clean” knob to blend in the perfect amount of clean signal with your overdrive signal.\u003c\/p\u003e\n\u003ch4\u003e\u003cstrong\u003eANGRY CHARLIE ON THE LEFT\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp class=\"\"\u003eOn the left side is our newest version of the Angry Charlie which is the Angry Charlie V3, one of our most popular pedals of the last few years. High gain JCM 800 type “Brown” sound tone that we believe is the most accurate Marshall tone ever put in a stompbox! It has Volume, Drive, and the full Bass, Mid, and Treble tone stack like you’d find on the amp. With the full tone stack and the amazingly accurate amp tones in this circuit, you’ll be begging for more!\u003c\/p\u003e\n\u003ch4\u003e\u003cstrong\u003eFEATURES\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp class=\"\"\u003eThe Sweet Tea V3 features our classic order switching toggle so that you can choose which circuit is first in the chain for the perfect stacking tones you’ve been searching for.\u003c\/p\u003e\n\u003cp class=\"\"\u003e- Even more overdrive and distortion tones\u003c\/p\u003e\n\u003cp class=\"\"\u003e- Fully independent Moonshine V2 and Angry Charlie V3 circuits\u003c\/p\u003e\n\u003cp class=\"\"\u003e- Order toggle to select the order of effects when stacking\u003c\/p\u003e\n\u003cp class=\"\"\u003e- Tons of control to dial in your perfect sound\u003c\/p\u003e\n\u003cp class=\"\"\u003eWith these tones combined or used separately, the Sweet Tea V3 is a gallon-and-a-half of overdrive that goes down easy on a summer night!\u003c\/p\u003e\n\u003ch4\u003e\u003cstrong\u003eVERSION HISTORY\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp class=\"\"\u003eV1 = Slightly different icon, no toggles.\u003c\/p\u003e\n\u003cp class=\"\"\u003eV2 =  Order Toggle and Gain Toggle added.\u003c\/p\u003e\n\u003cp class=\"\"\u003eV3 = Updated Moonshine V2 on the right and Angry Charlie V3 on the left. Top-mount jacks.\u003c\/p\u003e\n\u003ch4\u003e\u003c\/h4\u003e\u003cbr\u003eTHIS PEDAL REQUIRES STANDARD 9V DC CENTER NEGATIVE POWER, CONSUMES 51MA, AND MEASURES 4.7\" X 3.7\" X 1.66”","brand":"JHS","offers":[{"title":"Default Title","offer_id":53028954145077,"sku":"650415211821","price":497.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0996\/5384\/5301\/files\/Sweet-Tea-V3-1B_39d7a54b-9db2-4203-8812-2e173d8168da.jpg?v=1782442812"},{"product_id":"jhs-flight-delay-blue","title":"JHS FLIGHT DELAY (BLUE)","description":"The JHS Pedals Flight Delay was made with one goal in mind: to be everything you need in a delay and nothing you don’t. In a world full of complex effects pedals, we worked hard to bring you the opposite - a beautifully simple stompbox that combines the most essential delay types with the features that matter. With three modes (Analog, Reverse, and Digital) inspired by my all-time favorite delays - EHX Memory Man, Boss DD-5, and Line 6 DL4 “Reverse Mode” - the Flight Delay is familiar, inspiring, and versatile enough for players in any genre. If you are tired of delay pedals that require frustrating menu diving to find the sound you want, endless scrolling on option screens, and complicated user interfaces, look no further!\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\n\u003cbr\u003e\u003ch4\u003e\u003cstrong\u003eCONTROLS\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cstrong\u003eMIX -\u003c\/strong\u003e Controls the mix of delay with your dry signal. All the way left is fully dry, all the way right is fully wet. Noon is a 50\/50 blend.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eREPEATS -\u003c\/strong\u003e Controls the amount of feedback or repeats in the delay signal. Left is less, right is more. Fully right will give infinite repeats. Be careful! This feature can quite literally spiral out of control.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eEQ - \u003c\/strong\u003eAdjusts the tone or color of the repeats. Left is a darker, warmer delay tone. Right is brighter and crisper.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eTIME - \u003c\/strong\u003eControls the length of the delay from 50ms to 1 second. Left is shorter, right is longer.\u003cbr\u003e\u003ch4\u003e\u003cstrong\u003eMODES\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cstrong\u003eANALOG -\u003c\/strong\u003e A filtered analog-style BBD delay that harkens back to classic echo pedals like the\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003eEHX Memory Man and BOSS DM-2.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eREVERSE -\u003c\/strong\u003e Plays the delay signal backwards, inspired by effects like the Danelectro Back Talk and Line 6 DL4 Reverse mode.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\n\u003cbr\u003e\u003cstrong\u003eDIGITAL -\u003c\/strong\u003e Crisp, digital-style delay that pays tribute to early DSP delays like the BOSS DD-5 and the Ibanez DE7.\u003cbr\u003e\u003cbr\u003e**Note: when switching between modes, the delay time will default to the Time control setting.\u003cbr\u003e\u003ch4\u003e\u003cstrong\u003eSUBDIVISION TOGGLE \u003c\/strong\u003e\u003c\/h4\u003e\u003cbr\u003eSets the interval of delay repeats - quarter note, eighth note, or dotted eighth note in relation to your tapped tempo.\u003cbr\u003e\u003ch4\u003e\u003cstrong\u003eTRAILS BYPASS MODE\u003c\/strong\u003e\u003c\/h4\u003e\u003cbr\u003eAllows the repeats to trail when the pedal is bypassed. To activate or deactivate, hold both footswitches for two seconds while the pedal is on. The left bypass LED will blink, and the setting will be retained.\u003cbr\u003e\u003ch4\u003e\u003cstrong\u003eMODULATION\u003c\/strong\u003e\u003c\/h4\u003e\u003cbr\u003eThe flight delay features a meticulously designed modulation path that affects the delayed signal. This can be used to perfectly emulate the modulation textures of a *Memory Man’s vibrato’d repeats or a vintage tape delay’s lo-fi warble warble and everything in between.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\n\u003cbr\u003e\u003cspan class=\"Apple-converted-space\"\u003e\u003cstrong\u003eMODULATION TOGGLE -\u003c\/strong\u003e Sets delay modulation style to chorus, vibrato, or off.\u003c\/span\u003e\n\u003cbr\u003e\u003cstrong\u003eMOD DEPTH -\u003c\/strong\u003e Controls the depth or level of the modulation effect. Left is less, right is more.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eMOD RATE -\u003c\/strong\u003e Controls the rate of the modulation. Left is slower, right is faster.\u003cbr\u003e\u003ch4\u003e\u003cstrong\u003eTAP\/EXPRESSION CONTROL FOR DELAY TIME\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cstrong\u003eTAP - \u003c\/strong\u003eFor external tap control, plug a mono TS cable into the TAP\/EXP jack and connect to a switch or clocking device.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eEXPRESSION -\u003c\/strong\u003e For control of the delay time with an expression pedal, plug a stereo TRS cable into the TAP\/EXP jack and connect to an expression pedal with the polarity set to “Tip”. Heel down produces the fastest delay time, and toe down produces the slowest delay time.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eLEFT FOOTSWITCH -\u003c\/strong\u003e Bypass switch, which turns the effect on and off.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eRIGHT FOOTSWITCH -\u003c\/strong\u003e Tap tempo switch. Tap in your tempo with two or more presses to lock in your delay time. (This will reset to the Time control setting when changing modes.)\u003cbr\u003e\u003ch4\u003e\u003cstrong\u003eI\/O \u0026amp; POWER\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cstrong\u003eMONO INPUT -\u003c\/strong\u003e 1\/4” jack on the top right side of the pedal.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eMONO OUTPUT - \u003c\/strong\u003e1\/4” jack on the top left side of the pedal.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eTAP\/EXP JACK -\u003c\/strong\u003e 1\/4” jack on the top between the input and DC jack.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\n\u003cbr\u003e\u003cstrong\u003ePOWER -\u003c\/strong\u003e Requires 9VDC negative center power and consumes 85mA. Do not use more than 9VDC, or you will void your warranty.","brand":"JHS","offers":[{"title":"Default Title","offer_id":53028954210613,"sku":"650415212729","price":359.0,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0996\/5384\/5301\/files\/Flight-Delay-Blue-1_526fd944-6dde-4800-a6d8-ebfcee49b592.jpg?v=1782442820"},{"product_id":"jhs-kodiak-tremolo","title":"JHS KODIAK - TREMOLO","description":"The JHS Pedals Kodiak tremolo is the newest addition to our tap-tempo series featuring all the bells-and-whistles you need to create the biggest tremolo growl you’ve ever heard!  Based around classic Vox and Black Face tremolo sounds, the Kodiak brings vintage tremolo into the modern era with four different wave patterns, Mix, onboard tap-tempo, and sub-divisions to give you total control as well as plenty of inspiration to bring your sound out of hibernation.  Let’s take a look at all the features this brown beast bears...\u003cbr\u003e\u003ch4\u003e\u003cstrong\u003eCONTROLS \u0026amp; FEATURES\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp class=\"\"\u003eThe Kodiak has five simple controls: Volume, Speed, Mix, Ratio, and Wave. The Volume control enables you to set the overall volume however you like it, either dialed back, at unity, or boosted.  A great feature of the Kodiak is that you can turn the Mix knob all the way down and use the Volume to boost your amp or other pedals, acting as a preamp or slightly driven boost. The Speed knob is a manual control for the speed of the tremolo, which you can also set with the on-board tap-tempo switch. The Mix knob controls how deep the tremolo is perceived, from fully clean to fully wet. The Ratio control gives you the ability to dial in faster speeds that are perfectly sync'd with the BPM of your tap.  You can choose from quarter notes, eighth notes, \"triplets,\" or sixteenth notes.  The Wave control gives you four different wave variations to choose from: Sine, Rhythmic, Square, and Ramp. The Sine wave is a classic amp-like tremolo sound, the Rhythmic wave gives you an interesting rhythmic pattern that can be used in many different time-signatures for different effect, the Square wave gives you a more choppy trem sound, and the Ramp wave gives you a warbly type of sound. With all these options, sit down, grab a jar of honey, and spend lots of time with your new bear-friend to really get to know what he has to offer.\u003c\/p\u003e\n\u003ch4\u003e\u003cstrong\u003eTAP \/ EXPRESSION JACK\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp class=\"\"\u003eThe Kodiak also features a Tap\/Expression jack on the right side of the pedal. Plug in an external tap tempo or an expression pedal to control the speed of the tremolo. Select either TAP or EXP via the switch on the left side of the Kodiak.\u003c\/p\u003e\n\u003ch3\u003e\u003c\/h3\u003e","brand":"JHS","offers":[{"title":"Default Title","offer_id":53028954243381,"sku":"650415211883","price":285.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0996\/5384\/5301\/files\/Kodiak-1_591b03d2-6b63-4632-8e4d-b6147db51ce5.jpg?v=1782442817"},{"product_id":"jhs-3-series-flanger","title":"JHS 3 SERIES - FLANGER","description":"The JHS Pedals 3 Series is a collection of pedals designed to give you affordability and simplicity without compromising quality. Each 3 Series pedal is made by us in Kansas City, MO, using high-quality parts, quality control, and attention to every detail. Each pedal has three simple controls and one toggle that offer a wide range of sounds, perfect for beginners and professionals alike. The JHS Pedals 3 Series will inspire your playing and help you explore new sounds at a totally approachable price point.\u003cbr\u003e\u003cp class=\"\"\u003eThe 3-Series Flanger is inspired by the classic (and absurdly expensive) analog flangers of the past like the Electro-Harmonix Electric Mistress, the Tycobrahe Pedalflanger and the MXR M117 Flanger.  The JHS Pedals 3 Series Flanger runs on 9V DC Negative Center power and consumes 70mA.\u003c\/p\u003e","brand":"JHS","offers":[{"title":"Default Title","offer_id":53028954276149,"sku":"650415212446","price":145.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0996\/5384\/5301\/files\/JS-Series-Flanger-1_d031106f-f94e-48fa-b439-29a13100926b.jpg?v=1782442829"},{"product_id":"jhs-3-series-chorus","title":"JHS 3 SERIES - CHORUS","description":"The JHS Pedals 3 Series is a collection of pedals designed to give you affordability and simplicity without compromising quality. Each 3 Series pedal is made by us in Kansas City, MO, using high-quality parts, quality control, and attention to every detail. Each pedal has three simple controls and one toggle that offer a wide range of sounds, perfect for beginners and professionals alike. The JHS Pedals 3 Series will inspire your playing and help you explore new sounds at a totally approachable price point.\u003cbr\u003e\u003cp class=\"\"\u003eThe JHS Pedals 3 Series Chorus offers classic chorus and vibrato modulation sounds, with straightforward controls and enough versatility for any style of music. The Rate and Depth knobs work together to deliver anything from subtle doubling to utterly seasick waves of modulation. The Vibe toggle removes the dry signal so that you will have a simple true pitch vibrato sound without the dry signal underneath. The JHS Pedals 3 Series Chorus runs on 9V DC Negative Center power and consumes 70mA\u003c\/p\u003e","brand":"JHS","offers":[{"title":"Default Title","offer_id":53028954308917,"sku":"650415212354","price":145.0,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0996\/5384\/5301\/files\/JS-Series-Chorus-1_36a367e4-6c18-48b3-a406-aa4d8eb7705d.jpg?v=1782442830"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0996\/5384\/5301\/collections\/JHS_Pedals_cover.jpg?v=1789861367","url":"https:\/\/musiquediplomate.com\/collections\/jhs-pedals.oembed","provider":"Centre de Musique Diplomate","version":"1.0","type":"link"}